The Lost Flowers of Alice Hart
By Holly Ringland
Anansi
They say you can never judge a book by its cover, but in the case of The Lost Flowers of Alice Hart, they’re wrong.
The cover is beautiful and complex – so is the story inside. The cover has a black background that is bursting with about 20 different varieties of colourful flowers. The story inside is dark – yes, it is – but it has flowers – beautiful, light, sensual flowers – as its backbone.
The Lost Flowers of Alice Hart is the story of Alice Hart, beginning from her early childhood. She’s growing up in Australia, but not the everyday version of Australia. Something is very wrong in her life – she doesn’t go to school, her mother is troubled, her father is angry. Eventually, a traumatic event separates Alice from her parents forever and she goes to live with her grandmother, June. Because of the dysfunction, she had never met her grandmother before.
June lives on a flower farm called Thornfield, where she teaches Alice the language of flowers, or the hidden meaning behind each species of flower.
Alice grows up not knowing the truth of her childhood, but the truth is always there, following her, shaping her personality. When she’s betrayed as an adult, the trauma of the earlier events rises back to the surface, causing Alice to completely change her life.
There is a sense of magic, of fate, in this novel. As I was reading it, I was reminded of the style of one of my favourite authors, Alice Hoffman. Later in the book, author Holly Ringland uses a quote by Hoffman to begin a chapter. In an author’s note at the end, RIngland thanks Hoffman for encouraging her and says, “Thank you for writing the books that I have carried with me around the world, they have shown me the way to be brave and to believe.” So clearly, Hoffman was an inspiration and it shows. In a good way.
The Lost Flowers of Alice Hart hooked me in from the first page. Towards the end, it kept me up late turning pages. It’s a beautiful story, lovingly told.
Tracy.sherlock@gmail.com
Thursday, September 20, 2018
Sunday, September 16, 2018
Book review: Transcription by Kate Atkinson
Transcription
By Kate Atkinson
Doubleday Canada
Anyone who follows my book reviews knows that Kate Atkinson is right at the top of my list of favourite authors. I loved her Jackson Brodie mysteries – please may she write another one! – but her other novels have also ranked way up there. Life After Life was such an incredible achievement, that I am still in awe of it five years after reading it. A God In Ruins was nearly an equal accomplishment. Her first novel, Behind the Scenes at the Museum, captured my imagination immediately and I’ve got a permanent and recurring note to self to reread it and every one of her books. So yes, I’m a fan.
Atkinson’s latest novel is Transcription, the story of Juliet Armstrong, a young woman who is mysteriously recruited into the secret service in London during the Second World War. She finds herself responsible for transcribing conversations between a British agent who is posing as the leader of a group of German sympathizers.
It goes even further when Juliet is asked to become a spy. She leaps right in, going undercover as Iris Carter-Jenkins, an alter identity who is tasked with infiltrating an upper-class friend group who may or may not be on Germany’s side.
Much of the novel feels like a lark — an adventure that Juliet has been thrust into, with little experience or training. She manages to scrape by – barely – but gets herself into plenty of pickles along the way.
Juliet is a literalist and Atkinson has some fun with language via Juliet’s thoughts. When Juliet overhears the question, “Cat’s got your tongue?” She thinks to herself: What an awful idea. … How would the cat get it – by accident or design?
Much of the novel takes place in Juliet’s inner dialogue, and that’s a fine place to be. Juliet is quite hilarious at time and she’s both clueless enough and intelligent enough to make the story interesting.
And when the story comes around to serious business – the business of murder and treason – it makes a very satisfying read indeed.
The book opens in 1981, when Juliet as an older woman has returned to London. She’s been hit by a car and is reflecting on her life. A couple of snippets from that early chapter reveal Atkinson’s wit and style.
“It was all such a waste of breath. War and peace. Peace and war. It would go on forever without end,” Juliet thinks to herself. Later, she thinks: “There was to be a royal wedding. Even now, as she lay on this London pavement with these kind strangers around her, a sacrificial virgin was being prepared somewhere up the road, to satisfy the need for pomp and circumstance.”
Atkinson based the novel on an MI5 document describing a wartime spy, who lived a regular life as a bank clerk. MI5 released documents including transcriptions of the spy’s conversations that made Atkinson curious about who might’ve typed them. Thus Juliet was born. And readers everywhere will benefit from that.
Atkinson will be appearing in Vancouver on Saturday, September 29 at 7:30 p.m. at St. Andrew’s Wesley United Church, 1022 Nelson Street. Tickets are available through the Vancouver Writers Fest.
Tracy.sherlock@gmail.com
By Kate Atkinson
Doubleday Canada
Anyone who follows my book reviews knows that Kate Atkinson is right at the top of my list of favourite authors. I loved her Jackson Brodie mysteries – please may she write another one! – but her other novels have also ranked way up there. Life After Life was such an incredible achievement, that I am still in awe of it five years after reading it. A God In Ruins was nearly an equal accomplishment. Her first novel, Behind the Scenes at the Museum, captured my imagination immediately and I’ve got a permanent and recurring note to self to reread it and every one of her books. So yes, I’m a fan.
Atkinson’s latest novel is Transcription, the story of Juliet Armstrong, a young woman who is mysteriously recruited into the secret service in London during the Second World War. She finds herself responsible for transcribing conversations between a British agent who is posing as the leader of a group of German sympathizers.
It goes even further when Juliet is asked to become a spy. She leaps right in, going undercover as Iris Carter-Jenkins, an alter identity who is tasked with infiltrating an upper-class friend group who may or may not be on Germany’s side.
Much of the novel feels like a lark — an adventure that Juliet has been thrust into, with little experience or training. She manages to scrape by – barely – but gets herself into plenty of pickles along the way.
Juliet is a literalist and Atkinson has some fun with language via Juliet’s thoughts. When Juliet overhears the question, “Cat’s got your tongue?” She thinks to herself: What an awful idea. … How would the cat get it – by accident or design?
Much of the novel takes place in Juliet’s inner dialogue, and that’s a fine place to be. Juliet is quite hilarious at time and she’s both clueless enough and intelligent enough to make the story interesting.
And when the story comes around to serious business – the business of murder and treason – it makes a very satisfying read indeed.
The book opens in 1981, when Juliet as an older woman has returned to London. She’s been hit by a car and is reflecting on her life. A couple of snippets from that early chapter reveal Atkinson’s wit and style.
“It was all such a waste of breath. War and peace. Peace and war. It would go on forever without end,” Juliet thinks to herself. Later, she thinks: “There was to be a royal wedding. Even now, as she lay on this London pavement with these kind strangers around her, a sacrificial virgin was being prepared somewhere up the road, to satisfy the need for pomp and circumstance.”
Atkinson based the novel on an MI5 document describing a wartime spy, who lived a regular life as a bank clerk. MI5 released documents including transcriptions of the spy’s conversations that made Atkinson curious about who might’ve typed them. Thus Juliet was born. And readers everywhere will benefit from that.
Atkinson will be appearing in Vancouver on Saturday, September 29 at 7:30 p.m. at St. Andrew’s Wesley United Church, 1022 Nelson Street. Tickets are available through the Vancouver Writers Fest.
Tracy.sherlock@gmail.com
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